Products related to Copyright:
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Art and Copyright
First published in 2001, Art and Copyright has established itself as a leading text in the field.Revised and updated, this third edition includes additional coverage of the following topics:- The relationship between designs law and artistic works;- EU and Brexit developments;- AI-created works;- graffiti and other non-conventional works;- blockchain and rights management;- orphan works;- new exceptions to copyright; and- digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art.
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Copyright and Anonymity in the Creative User-Generated World
This book explores the relationship between copyright law, online anonymity, and creative user-generated content (CUGC). Presenting original empirical findings, the book evaluates the co-existence of copyright law and normative systems regulating a CUGC landscape made up of artists, photographers, and writers, and makes novel recommendations for copyright reform.It takes a multi-jurisdictional approach across Anglo-American and EU legal systems, using the UK, USA, and Germany as representative jurisdictions for legal analysis.Qualitative findings are drawn from creators and communities on Reddit and 4chan. Copyright subsists in much CUGC, but pervasive anonymity makes it difficult for the law to regulate it effectively.Simultaneously, anonymity offers creative benefits in a way that highlights flaws in traditional justifications of copyright.Comparisons between community norms and copyright law identify practical differences but also fundamental compatibilities in terms of ownership expectations.However, the simultaneous existence of legal and normative enforcement mechanisms complicates matters for creators and potential users, with negative implications for creativity and copyright law.While existing reform efforts have made suggestions to create a UGC exception, these overlook and undermine the role of CUGC creators as copyright holders.This can be addressed through the consideration of a framework of supplementary CUGC guidelines when developing such reforms. This valuable resource for researchers and students provides a distinct perspective in framing CUGC creators as copyright holders, examining online anonymity as a pivotal factor influencing regulation.
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Contract and Copyright Drafting Skills
Contract and Copyright Drafting Skills is a brand new title which will help you develop and create greater flexibility in your drafting skills.Using clear explanations and practical examples your ability to write clauses, draft, negotiate, analyse and review contracts will be enhanced.It is designed to be used in conjunction with your own precedent bank or alongside The A-Z of Contract Clauses, Sixth Edition. This title gives guidance on the variety of techniques that can be used in drafting contracts including the significance of the purpose of the agreement and the focus of the outcome.In addition it covers definitions, an important aspect of contract drafting, and also general background factors that can be useful to consider when drafting a contract. Contract and Copyright Drafting Skills will help you to appreciate the elements that can be edited in a clause thereby widening, decreasing or improving liability, risk, costs, revenue and control of rights.It also explains the process of the expansion, reduction and adaptation of clauses to meet the needs of the circumstances of the parties giving you the confidence to make that assessment and to focus on the aim of achieving the best agreement in the circumstances. Whether new to contact drafting or an experienced contract drafter, whether a lawyer or non-lawyer Contract and Copyright Drafting Skills will provide you with all the tools and guidance you need to become an expert contract drafter.
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Performing Copyright : Law, Theatre and Authorship
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright?Furthermore, who possesses moral rights over the work?To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work.The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research.The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research.The fourth part examines the way moral rights of attribution and integrity work in the context of theatre.The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law.Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
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How can one circumvent copyright for images?
It is important to respect copyright laws when using images. One way to legally use images without infringing on copyright is to use images that are labeled for reuse or are in the public domain. Another option is to create your own images or use images that you have permission to use, such as those provided by stock photo websites. Additionally, you can reach out to the copyright holder to request permission to use their images.
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What is the copyright for product images?
The copyright for product images is held by the creator or owner of the images, typically the photographer or the company that commissioned the images. This means that the images cannot be used or reproduced without permission from the copyright holder. In some cases, the copyright may be transferred or licensed to others for specific uses. It is important to respect copyright laws and obtain proper authorization before using product images for any purpose.
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How can one check images for copyright?
One can check images for copyright by using reverse image search tools such as TinEye or Google Images. These tools allow users to upload an image or provide a URL to search for similar images on the internet, which can help determine the original source and potential copyright information. Additionally, one can look for watermarks, copyright symbols, or other identifying marks on the image itself, or search for the image on stock photo websites to see if it is available for licensing. If in doubt, it's best to reach out to the image creator or a legal professional for clarification on the copyright status of an image.
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How can I obtain the copyright to use images?
To obtain the copyright to use images, you can either create the images yourself or purchase the rights to use them from the copyright owner. If you are using images created by someone else, you can reach out to the creator or the copyright holder to request permission to use the images. It's important to clarify the terms of use, such as whether it will be for personal or commercial use, and if any attribution is required. Additionally, you can also consider using images that are in the public domain or under a Creative Commons license, which may have fewer restrictions on usage.
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Copyright : Best Practices for Academic Libraries
Finally: a plain-language guide to best practices for the complex world of copyright management in academic libraries. Copyright issues continue to perplex librarians and educators.The difficulties and confusion in applying the U.S. Copyright Act became especially apparent when Covid hit and many universities turned to remote learning as their primary method of instruction.Librarians and educators struggled with applying the law for both remote learners and students who were on site.This book provides advice on how to analyze and apply the copyright law to specific areas encountered by librarians and instructors. Coverage includes:Controlled digital lending is a very hot issue and confusing to many as to how copyright could apply in those situationsremote learning do’s and don’ts’ is at the forefront of copyright concerns which was highlighted during the pandemicThe application of copyright to music in light of recent changes to the U.S.Copyright Act has caused much confusion. Analysis of the new law and strategies on how to include music in a curriculum as well as how libraries can provide access and preservation of musical works. Open access initiatives have become increasingly popular.However, open access does not mean that there is no copyright attached to the works. The use of data is exploding as are the copyright issues associated with it.We will examine the issues and provide options. Written by Donna L. Ferullo, the Director of the University Copyright Office at Purdue University who holds both law and library science degrees and Dwayne K.Buttler, the Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville, who also holds a law degree.Both Ferullo and Buttler have many years of experience advising their universities on copyright law.
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Digitising Cultural Heritage : Clashes with Copyright Law
This book investigates the role played by copyright on the digitisation of cultural heritage from 3 angles: the theoretical differences between cultural property law and copyright; a comparative analysis of the EU, the UK, and the US; and the analysis of current practices and concerns, based on empirical research. As heritage digitisation projects are becoming increasingly common for purposes such as preservation and access, the impact of copyright is also becoming more problematic.In order to provide a full and current picture of the copyright problem, the book first introduces the reader to the debates on cultural heritage and copyright implications of new technologies, including: 2D and 3D scanning; virtual and augmented reality; text and data mining; and artificial intelligence. The author then divides the main critical analysis into 3 parts, referred to as the clashes with copyright.The 1st, theoretical clash, lies between cultural property law and copyright justification theories on the issues of public interest and ownership of heritage.The 2nd clash is in the different legal approaches to digitising in-copyright, public domain, orphan, out-of-commerce and unpublished works in the chosen jurisdictions.The 3rd clash is in the interests of the stakeholders, based on public reactions to existing projects and cases, supported by interviews with heritage professionals engaging in digitisation. By placing itself in this particular intersection of law, heritage, and technology, the book will be of interest to both intellectual property academics and cultural heritage professionals.
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Copyright : What Everyone Needs to Know®
Copyright law was once an esoteric backwater, the special province of professional authors, publishers, and media companies.This is no longer the case. In the age of social media and cloud storage, we have become a copying and sharing culture.Much of our everyday communication, work, and entertainment now directly involves copyright law.Copyright law and policy are ferociously contested. Record labels, movie studios, book publishers, newspapers, and many authors rage that those who share music, video, text, and images over the Internet are âstealingâ their property.By contrast, copyright industry critics celebrate digital technologyâs potential to make the universe of movies, music, books, and art accessible anytime and anywhere â and to empower individuals the world over to express themselves by sharing and remixing those works.These critics argue that excessive copyright enforcement threatens that promise and stifles creativity. In Copyright: What Everyone Needs to Know®, Neil Weinstock Netanel explains the concepts needed to understand the heated debates about copyright law and policy.He identifies the combatants, unpacks their arguments, and illuminates what is at stake in the debates over copyrightâs present and future.
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Developing Authorship and Copyright Ownership Policies : Best Practices
Authorship represents a new area of policy-related work within higher education research administration, funding agencies, and scholarly journal publishing.This book offers the unique aspect of combining details on copyright ownership as well as authorship into a single volume on best practices for administrators, journal publishers, research managers, and policy drafters within and outside of higher education.Discover more about the definition of ‘author’—from data gatherer to writer—to inform policy development while understanding the interconnected relationships between authorship, copyright ownership, and scholarly communication.This book will also demonstrate how to develop inclusive and equitable authorship policies that reflect the range of diversity within the research endeavor and scholarly publishing.
Price: 35.00 £ | Shipping*: 0.00 £
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Are the images provided by PowerPoint protected by copyright?
Yes, the images provided by PowerPoint are protected by copyright. The images included in PowerPoint are either created by Microsoft or licensed from third-party providers, and they are protected by copyright law. It is important to respect copyright laws and only use images in PowerPoint that you have the right to use, whether through purchasing a license, using royalty-free images, or creating your own original content.
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Are the images from the James Webb Telescope protected by copyright?
Yes, the images captured by the James Webb Space Telescope are protected by copyright. The images are considered original works of authorship and are automatically protected under copyright law. The copyright holder, which is likely to be NASA or the European Space Agency, has the exclusive rights to reproduce, distribute, and display the images. However, these organizations often make the images available to the public for non-commercial use, with proper attribution.
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What is the legal question regarding copyright for AI-generated images?
The legal question regarding copyright for AI-generated images is whether the AI or its creator holds the copyright for the images. In many jurisdictions, copyright law grants protection to the creator of the work, but in the case of AI-generated images, it is unclear whether the AI itself can be considered the creator. This raises questions about who should be granted the copyright for AI-generated images and how to attribute ownership and rights to these works. As AI technology continues to advance, there is a need for legal clarity on the copyright status of AI-generated images.
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What are copyright infringements?
Copyright infringements occur when someone uses, copies, distributes, or displays someone else's work without permission. This can include using copyrighted material such as text, images, music, or videos without obtaining the necessary rights or licenses. Copyright infringements are illegal and can result in legal action, fines, and damages for the infringing party. It is important to respect copyright laws and obtain proper permissions before using someone else's work.
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